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Ursala Hudson (Tlingit), We Are the Ocean, 2021. Wool, silk, cedar bark, steel cones, leather, mother of pearl, 62×62 inches.
Artist Statement
We Are the Ocean is a testament to who the modern Indigenous Woman is in this world, made up of everything that came before. We are a culmination of specific climates, cultures, moments, commitments, and whims from millennia of memories passed onto us by ancestors. When we let a bit of ourselves seep out onto paper, canvas, panel, fiber — the vastness of our infinite selves finds a tangible form.
We Are the Ocean was crafted according to the techniques, customs, design principles, and spiritual practices of the Northwest Coast’s Chilkat and Ravenstail textiles. However, materials and patterns of the Southwestern peoples, colonial and modern times [are incorporated] into the ceremonial ensemble. The design revolves around and accentuates the female figure, as a relatively new convention in Alaska Native art, with each garment created to evoke feminine sovereignty and uplift the modern Indigenous Woman.
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![IN THE SPIRIT Contemporary Native Arts 2021 12]()
Heather Johnson-Jock (Jamestown S’Klallam Tribe), Painted Desert Dance Woven Top, 2021. Hand-spun wool yarn and commercial wool blend yarn, 32×20×½ inches. Painted Desert Dance Shawl and Skirt, 2021. Hand-spun wool yarn and commercial wool blend yarn, 100×32×½ and 27×21×½ inches.
Artist Statement
I am Heather Johnson-Jock, a master weaver of the Jamestown S’Klallam Tribe. While my journey has led me to live in the Southwest at this time, I carry on the Salish wool weaving traditions of hand spinning and weaving learned from the late Bill James and his mother, the late Fran James, of Lummi.
As I was taught by all my elders to appreciate nature, I’ve decided that rather than be homesick for the Salish Sea, I let myself be inspired by the colors and patterns of the Painted Desert of the Southwest. I created this Painted Desert Dance regalia collection to celebrate that deep appreciation and respect I hold in my heart for nature.
I wove the Painted Desert Dance regalia in the Salish twill design using colors found in the Southwest. I chose to weave diamond patterns and horizontal stripes of color to reflect the beautiful landscape.
With this piece and every piece I weave, there is “a stitch for Fran.”
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Kathryn Miller (Spokane), Foundation, 2018. Repurposed zippers, glass beads, shells, acrylic gel medium, polyester fabric lining on a form wire, paper and fabric mache, dry-wall compound, acrylic paint, 19×12×16 inches.
Artist Statement
I am a multi-media fiber artist creating sculptural assemblages, garments, and accessories. My art is concept-driven. Ecology is a recurrent theme because I believe there are correlations between how we treat animals, environments, and possessions, and how we treat one another. I work with repurposed and natural materials.
Foundation bodice was shaped with reclaimed zippers, a metaphor for the duality of strength and vulnerability of Culture. The model of this garment is literally placed within an ecosystem reminding us that we are all connected and dependent upon each other for survival.
The front of the bodice depicts an ecosystem common in the Spokane Indian territories. There are no humans in this view. This system would operate well without humans.
The story unfolds to the left and around the back where Grandmother watches the children. Foundation is a tribute to our Grandmothers who serve as guardians and teachers.
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Gilmore Scott (Diné (Navajo) Nation), Female Storm Dazzler, 2021. Acrylic on wood, 8×8 inches.
Artist Statement
“Beauty is simple design and the harmony of color.”
My use of colors is strong and bold. Inspiration for my subjects are interpretations of how I view my culture, Diné (Navajo) heritage. Our high desert southwest landscapes, day and night skies, stories taught of our tradition. I like to incorporate geometric designs similar to that of our Diné rug weavers. These are motivating factors to my artistic imagination today.
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Lily Hope (Tlingit), Black Lives Matter ALLIES Armband, 2020. Chilkat weaving techniques on hands-on merino and cedar bark warp, hand-dyed yarns, 7 × 15½ inches.
Artist Statement
Weavers of Chilkat dancing blankets on the Northwest Coast have recorded history for hundreds of years. Tlingit, Haida, and Tsimshian peoples all use them in ceremony still today.
The Black Lives Matter ALLIES Armband is intended to be worn by allies any time they leave the house, easily identifying themselves in the periphery of any BIPoc person under duress. If mass-produced on bandanas, every ally could wear one to signify to aggressors that there are allies everywhere.
You’ll note that the Powerfist is woven with only four fingers. This is because we don’t need to weave our five-fingered human hand into Chilkat works. It is a gift enough to weave.
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Sonia Barry (Aleut), Assimilation, 2021. Acrylic on canvas, 20×16×24 inches.
Artist Statement
Assimilation is inspired by self-exploration and self-acceptance on what it means to be an Urban Indian. I used Fauvism-inspired style with vivid expressionistic and nonnaturalistic use of color as it is a metaphor of assimilation. My native identity, symbolically red, has been whitewashed, creating varying shades of pink.
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Shaun Peterson (Puyallup), Holding the Door Open, 2021. Mixed media on canvas, 36×36 inches.
Artist Statement
During the initial lock down of 2020 I had been working on sculptures with a great deal of pressure. It was one of the benefits of working solo largely. However, on completion of one of the major pieces moving onto the next without having ability to call on additional help while moving a log the long hours and repetition tore my shoulder and I was unable to carve for 6 months. In that time I reflected on the paintings of my great grandmother Faye Bosshart. I hadn’t painted in years and my arm was in a sling but I was determined to see if I could paint using my iPad. I explored several ideas and studied my grandmother’s paintings for inspiration to create more personal images and challenge myself. The result is reconnecting with something I had wanted for years. It opened a door I would have otherwise closed if not faced with the
circumstances.