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    Handwritten on back: Tulalip Shaker Church, Tulalip Indian Reservation, Approximately 50 yrs ago. Louise Ledford. Wayne Williams. Maria Moses
    Creation Date: ca. 1930
    Catalog ID: 1996.64.2.7
    Call Number: 1996.64.2.7
    Exterior view of a frame church with a bell tower over the entrance door.
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    Letters to Edwin Eells from Office of Indian Affairs
    Creation Date: 1882
    Catalog ID: 1923.5.15
    Call Number: Eells Box 3, Folder 16A
    Document consisting of handwritten copies of 8 letters sent to Edwin Eells at the Skokomish Agency. Document has been bound together with thread. The letters deals with various administrative concerns, salaries and types of employees, appointments, use of government issued cattle, accounting, etc.
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    Storypole legends: translated and retold by Chief Martin S. Sampson
    Creation Date: ca. 1968
    Catalog ID: 1999.141.4.2
    Call Number: 970.6/M429st/1996
    119 p.; ill.; 22 cm.
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    The Tulalip Bulletin
    Creation Date: 1917
    Catalog ID: 2003.188.102
    Call Number: EPH-B/970.3/T82t/1917-2
    4 p.; Vol I, no. 11 (February 1917). Contains news of the Tulalip School and nearby reservations, including the Tulallip, Lummi, and Swinomish. Article 'Caution regarding measles." Ephemera
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    [Chief William Shelton, Tulalip]
    Creation Date: ca. 1925
    Catalog ID: 2015.33.1.12
    Call Number: 2015.33.1.12
    Black and white close, full length photographic image of William Shelton (1868-1938), a Tulalip man, taken in an unknown location, ca. 1925. He is wearing a feather headdress and moccasins. He has a trade blanket wrapped around his shoulders and torso. He is leaning against a canoe and standing beside a tipi, which is only partially visible.
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    The Tulalip Bulletin
    Creation Date: 1917
    Catalog ID: 2003.188.104
    Call Number: EPH-B/970.3/T82t/1917-3
    4 p.; Vol I, no. 12 (March 1917)
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    [Studio portrait of Chief Napoleon]
    Creation Date: ca 1865
    Catalog ID: 1934.22.16
    Call Number: 1934.22.16
    Studio portrait of Chief Napoleon, head chief of the Tulalip Indians. Hilman Jones Collection
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    Male Mask
    Creation Date: 1995-1996
    Catalog ID: 1996.123.8
    Mask, Male Mask, by Ron Hilbert, Tulalip/Upper Skagit, 1995-1996. Flat cedar board with small human figures carved in relief and painted on a black background. The men are singing and dancing, some have hand drums and there are two sqwedilich boards, indicating that this is the Winter Dance. A face is carved in alder and painted white with red spots is mounted on the back board. The spots probably indicate smallpox. The forehead is covered with a sheet of copper molded to the shape of the head.
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    [William Shelton, Tulalip totem pole carver]
    Creation Date: ca. 1925
    Catalog ID: 2018.16.5
    Black and white photograph of William Shelton (1868-1938) taken circa 1925 in Snohomish County, WA. Shelton was a wood carver, educator and Tulalip leader. In this image he wears a feather headdress, a dark shirt with beaded vest and moccasins. He holds a blanket with a white background, stars, a large "V" and black edging. A note included with the image reads "Shelton in his native warrior dress, carrying a blanket which he had manufactured and which he used in boosting the Victory loan before his people". See also images 2018.16.2, 2018.16.3 and 2018.16.4. Pedrose Collection
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    Legend of Octopus Woman & Crow
    Creation Date: 2007
    Catalog ID: 2015.54.1
    Painting, Legend of Octopus Woman & Crow, by Chholing Taha, 2007. Acrylic on paper. The design is a button blanket in dark blue with a red border. At the center is a red octopus with light blue accents and white suckers. Red birds are flying away from her and she has caught one yellow bird, while a light blue bird escapes. The red border has dark and light blue formline designs and light blue flowers. It is separated from the center panel by a row of white circles (buttons). In the original Tulalip story, octopus uses crows vanity to trick him into letting her capture him. It is a story told to emphasize the need to listen to the Elders. This image was used as part of the Native People for Cancer Control anti-smoking project at the Fred Hutchinson Cancer Research Center in Seattle, WA. The total of twenty-five birds represent heavy smokers who quit smoking. One gets lung cancer (the yellow bird) and one escapes (the light blue bird), while the other 23 are untouched. The octopus represents cancer.